Last edited by Akinokazahn
Wednesday, July 15, 2020 | History

7 edition of Postcolonial Echoes and Evocations found in the catalog.

Postcolonial Echoes and Evocations

The Intertextual Appeal of Maryse Conde (Modern French Identities)

by Derek O"regan

  • 338 Want to read
  • 37 Currently reading

Published by Peter Lang Publishing .
Written in English

    Subjects:
  • Caribbean & Latin American,
  • Women Authors,
  • European - French,
  • Literary Criticism,
  • Literature - Classics / Criticism

  • The Physical Object
    FormatPaperback
    Number of Pages329
    ID Numbers
    Open LibraryOL11398017M
    ISBN 100820479551
    ISBN 109780820479552

    Modern French Identities focuses on the French and Francophone writing of the twentieth and twenty-first centuries, whose formal experiments and revisions of genre have combined to create an entirely new set of literary forms, from the thematic autobiographies of Michel Leiris and Bernard Noël to the magic realism of French Caribbean writers. Despite the ubiquity of the SS Empire Windrush as a symbol of post-war Caribbean migration to Britain, there are few literary evocations of its journey and arrival, and, of those, the majority are.

      In Dust of the Zulu Louise Meintjes traces the political and aesthetic significance of ngoma, a competitive form of dance and music that emerged out of the legacies of colonialism and apartheid in South Africa. Contextualizing ngoma within South Africa's history of violence, migrant labor, the HIV epidemic, and the world music market, Meintjes follows a community Author: Louise Meintjes.   Saro-Wiwa’s last book A Month and a Day contains elements of “diary, memoir, journal, manifesto, advocacy journalism, ethnography, and satire, throwing in for good measure some transcribed speeches and a bill of rights,” a hybrid text whose form echoes “the propulsive urgency of colliding forms as Saro-Wiwa strives to fit into a single Author: Yvonne Reddick.

    The postcolonial enterprise, as a shifting configuration of movement and transition, echoes both the Gothic, and the notion of becoming, as creative and potentially transgressive transmissions. If ‘Gothic texts are about crossing thresholds’ (Wisker: . Carly Daniel-Hughes is an associate professor of religions and cultures at Concordia University, Montreal. She is author of The Salvation of the Flesh in Tertullian of Carthage: Dressing for the Resurrection (Palgrave ) and co-editor of Dressing Judeans and Christians in Antiquity (Ashgate ) and The Bloomsbury Reader in Religion, Sexuality and Gender (Bloomsbury .


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Postcolonial Echoes and Evocations by Derek O"regan Download PDF EPUB FB2

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Postcolonial Echoes and Evocations. This book reveals the unique contribution made by the three founding fathers of British fantasy—Lord Dunsany, E. Eddison and J. Tolkien—to our culture’s perennial reassessment of the meanings of time, death and eternity. It traces the poetic, philosophical and theological roots of the.

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Postcolonial Text, Vol 3, No 4 () Postcolonial Haunting: Anxiety, Affect, and the Situated Encounter Michael F. O'Riley Ohio State University In large part, the advent of postcolonial consciousness has emphasized the imperative of returning to occluded colonial history through a reckoning with the specters of the nation’s colonial heritage.

ALFRED ROSA. and PAUL ESCHHOLZ are both professors of English at the University of Vermont. They have collaborated on a number of best-selling texts for Bedford/St. Martin's, including Subjects/Strategies, Ninth Edition (), Outlooks and Insights: A Reader for College Writers, Fourth Edition (), and, with Virginia Clark, Language Awareness, Eighth Edition.

Postcolonial Echoes and Evocations: The Intertextual Appeal of Maryse Conde Derek O'Regan Author. Find all books from Derek O'Regan. At you can find used, antique and new books, compare results and immediately purchase your selection at the best price.

[ED: Taschenbuch]. Editorial Reviews. The Revolution’s Echoes is a breakaway ethnography that goes beyond conventional wisdom about popular music and power in contemporary Africa.

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The Book of Revelation (often called the Revelation to John, Apocalypse of John, the Revelation from Jesus Christ (from its opening words), the Apocalypse, The Revelation, or simply Revelation) is the final book of the New Testament, and consequently is also the final book of the Christian title is derived from the first word of the Koine Greek text: apokalypsis, meaning.

Abstract. Through "Yorick" and The Moor's Last Sigh Salman Rushdie maps the ever-present hybridity between, and, significantly, within literary texts and the cultures that produce and receive them.

Thus, Rushdie's postmodern, metafictive palimsests ironically reveal how Shakespeare's literary endurance and global iconic status depend upon the revisions, adaptations, and. The collection addresses questions of authorship, authority and canon in texts connected by theme or genre including the postcolonial exotic, disability and representations of the body, food books, and domesticity.

In addition, book club author Andrew Smith shares his experiences in a fascinating interview. But it turned out that the book was the work of Daniel Defoe, whose other great claim to fame was a similar portmanteau of fact and fiction, A Journal of the Plague both texts, Defoe used actual journals, reminiscences, and newspaper articles as his sources, mimicking the language, tone, and apparatus of his sources, tossing in numbers and dates.

Contemporary postcolonial studies represent a controversial area of debate. This collection seeks a more pragmatic approach to the subject, taking into account its historical, social and political realities, rather than ignoring a consideration of material conditions.

The violence and fertility innate within sparagmos are particularly appropriate to postcolonial receptions of classical literature, as will be demonstrated by examining Toni Morrison’s novel, Sula, and Wole Soyinka’s play, The Bacchae of Euripides: A Communion Rite, both published in While the latter proclaims its debt to antiquity in Cited by: 1.

Given this kind of diversity, essentialist evocations of geographical, national or Gwendolyn Mikell echoes Acholonu's argument when she endorses the 'survivalist', 'heterosexual' and 'pro-natal' foundations of what she terms African and postcolonial feminism offer insights into the emotional and intellectual.

This book explores the reality of the lives of North African migrants in postcolonial France, with a particular focus on their access to political entitlements such as citizenship and : Alina Sajed.

Purdue series of bibligraphies. Postcolonial Nostalgias: Writing, Representation and Memory (Routledge Research in Postcolonial Literatures, 31) Dennis Walder This book offers an original and informed critique of a widespread, yet often misunderstood, condition — nostalgia, a pervasive human emotion connecting people across national, historical, and personal boundaries.

Abstract. Alice Kaplan reminds twenty-first-century readers of the legal wrangling in French courts over the French translations of the title of Emily Brontë’s Wuthering the most familiar of those titles, Les Hauts de Hurle-Vent, originated by Frédéric Delebecque inso dominated the commercial sale of any French translation of Brontë’s novel, a bookseller in Author: Jacqueline Padgett.

In my own field, that of Postcolonial Studies broadly conceived, there is much talk of location, as in the title of Homi K. Bhabha’s book The Location of Culture, which emphasizes the particular place and time of any cultural production, relative to all others [1].The meanings of culture are determined by their locational parameters.

Introduction To suggest that there is an untimeliness about J. M. Coetzee's latest sequence of anti-novels, from Youth () through to Summertime (), is to observe a determinate lack of fit--perhaps even an unfitness--between the writing and its time, or times.Bibliography for FR The Story of Modern France BETA.

Back to list. Export The French cinema book. BFI Palgrave, A BFI book published by Palgrave. [32] Burgwinkle, W.E. et al. Postcolonial echoes and evocations: the intertextual appeal of Maryse Cond.